With over 30 vinyl releases from a diverse roster of globally-known musicians and local NYC talent, the affiliated record label has grown into an internationally recognized home for sound system music, connecting the dots between Jamaican dub, hip-hop and bass music with an emphasis on emerging US based artists.
Behind The Label explores the many record labels in the global sound system community and the stories behind them. Big and small, everyone has a story about the music they love; Our second installment is a short interview with Doug Paine of Scotch Bonnet Records, of Mungo’s Hi-Fi. Founded in 2000 out of Glasgow, Scotland, the sound system and label have achieved international success and acclaim, working with a multitude of legendary Jamaican artists including Johnny Osbourne and Sugar Minott and releasing dozens of records. Paine sat down to discuss the story behind the label’s iconic image, and the meaning behind it.
Behind The Label explores the many record labels in the global sound system community and the stories behind them. Big and small, everyone has a story about the music they love; Our first installment is an interview with Lo Gautier of Bent Backs Records, the label behind Jonny Go Figure’s 2019 smash hit “Vinyl Lover.” Starting in 2009 as a sound system crew in the city of Rennes, France, Bent Backs since relocated to New York, turning into a fully fledged record label championing the 80s digital reggae revival sound.
Tracing the history and relationship between sound system culture and protest movements.
Text: Jeremy Freeman, Artwork: Irie Design The Billie Jean riddim first came to attention with the release of Shinehead’s 1984 cover of Michael Jackson’s smash hit “Billie Jean” on New York’s African Love label. Interestingly, the flip side of the original 12” was another cover (of UK R&B singer Junior’s “Mama Used To Say”) and […]
Text by Anderson Muth Birthed by the great Jackie Mittoo as the 60s began to give way to the 70s, the Hot Milk riddim, aka Murderer, has been the source of hit records ever since. The initial Coxson 7” led to the Studio One era and then into deejays, rubadub, dancehall, and sound system: like […]
Arising out of the increasingly slack dancehall scene found in mid-80s Jamaica, the Punanny (also spelled Punaany and Punany, amongst other possible iterations) riddim is a much-versioned up-tempo digital shuffle.